Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces themselves—the soundproof walls and...

I want the experience for the audience to be a sort of speeding train that gets completely and totally out of hand. --Robert O’Hara (New...

Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to me about Lucy Kirkwood’s The...