ARTICLES, ETC.
Jonathan Kalb
ANGLIA
THE BROOKLYN RAIL
FULL GROWN PEOPLE
THE NATION
IN THESE TIMES
THE NEW YORKER
NEW YORK TIMES
PERFORMING ARTS JOURNAL
SALMAGUNDI
SALON
THEATER
THE THREEPENNY REVIEW
• Anglia
2013
“Marathon Theater as Anti-Monument: The Curious Case of Gatz”
• The Brooklyn Rail
Sept. 2015
“Big Talk, Small Talk: Why People Who Read Should Care About Emojis”
• Full Grown People
Nov. 7, 2017
• In These Times
Aug. 21, 2017
“Nausea After Charlottesville: A Reflection on Anti-Semitism"
• The Nation
Mar. 4, 2004
“Advertisements for Myself” (Sarah Jones)
• The New Yorker
Jan. 12, 2015
• The New York Times
Nov. 25, 2007
“The Nymphet is a Lethal Weapon” (Lulu)
Aug. 9, 2007
“To Sleep the Big Sleep? Call it Murder, My Sweet”
July 1, 2007
“The Thirty Years' War, All 10 Hours of It” (Wallenstein)
Apr. 4, 2007
“Revisiting a Psychiatrist Who Questioned Psychiatry”
Mar. 7, 2007
“An End Tale, Through the Eyes of Saramago” (Blindness)
Mar. 7, 2007
"Brecht, And Gender, At Play" (Baal)
Feb. 7, 2007
“Madeleines, Turkey Stuffing and Other Thoughts on Loss” (Gone)
Jan. 30, 2007
“Robert Wilson, Beckett and a Celebrity from the Neck Up”
Jan. 24, 2007
“Greek Tragedy Wears a New, Brash Mask” (Women of Trachis)
Nov. 12, 2006
“A Critic Has Praise for a Playwright (Himself)” (Eric Bentley)
Aug. 6, 2006
“Still Fearsome, Mother Courage Gets a Makeover”
June 14, 2006
“Legal Briefs of the Absurd (Filed by Beckett)”
Apr, 19 2006
“Mysterious Green Strangers in a Pentameter World” (Wolfpit)
Apr. 13, 2006
“Beckett the Difficult, Beckett the Brash, Beckett the Prolific”
Mar. 27, 2006
“The Mythic Eugene O'Neill's Turbulent Life”
Nov. 26, 2006
“You Must Go On After Beckett. I Can't Go On After Beckett. Go On”
Feb. 23, 2006
“Toward a Wordless Theater of Death-Haunted Imagery” (Odchodzi)
Nov. 18, 2005
“Portraying Robert Kennedy, as Idol and as Ordinary Man”
Nov. 8, 2005
“Who Are We? Where Are We? What Are We Doing? You Decide” (She Said)
Oct. 14, 2005
“A Tale of Sex and Death, Stripped to Its Core” (Emilia Galotti)
Aug. 23, 2005
“By Yon River's Edge Gather Merry Wanderers of the Night”
July 10, 2005
“Better Hope the Seats are Comfortable”
May 30, 2005
“He’s No Angel, Just a Guy with the Landowner Blahs” (Ivanov)
May 17, 2005
“Western Drama With a Japanese Accent”
Apr. 7, 2005
“The Emperor’s Life: These Boots Are Made for Talkin” (Caligula)
Nov. 17, 2004
“Street Life and Lowlifes Meet to Scheme in a Grubby Motel” (Risk Everything)
Nov. 7, 2004
“Nora the Killer Doll" (A Doll's House)
Nov. 3, 2004
“An Indian Father Courage, Using and Losing Women” (Sakharam Binder)
Oct. 27, 2002
“The Forlorn Woyzeck, With a New Spin”
Apr. 7, 2002
“A Provoking Parable That Won’t Quit” (Andorra)
Mar. 24, 2002
“Making Crazy with a 91-Year-Old German Comedy” (The Underpants)
June 24, 2001
“Dangerous Liaisons’ Through a Marxist Mirror” (Quartett)
Oct. 15, 2000
“A Postmodern Hamlet By a Driven Provocateur” (Hamletmachine)
Aug. 13, 2000
“Robert Wilson’s 21st-Century Academy”
Feb. 7, 2000
“The Downtown Gospel According to Reverend Billy”
Nov. 7, 1999
“Casting New Light on the Most Visible of Playwrights” (Mamet)
Nov. 16, 1997
• Performing Arts Journal
Sept. 2010
“The Mahabharata Twenty-Five Years Later: Peter Brook in conversation”
May 2009
“Amazing Untold Stories of Catalogues” (Forced Entertainment)
Jan. 2007
“American Playwrights on Beckett”
Jan. 2012
1990
“Notes on the Last Cold-War Theatertreffen”
1988
“The Question of Beckett's Context”
• Salmagundi
Fall-Winter 2008-09
Summer-Fall 2002
• Salon
June 8, 2013
“Can a Sleepy Chinese Town Become a Cultural Mecca?”
• Theater
Spring 2017
"The Anti-Professional Prejudice”
Spring 2011
“What is the Theater’s Outer Limit of Great Length?”
Winter 2009
“Nothing to do with Patience: An Interview with Michael Thalheimer”
Spring 2005
Summer 2003
Spring 2003
“The Death (and Life) of American Theater Criticism"
2001
“Documentary Solo Performance: The Politics of the Mirrored Self"
2001
“The Gospel According to Billy"
1999
“Oedipus and Other Impracticalities"
1996
"On the Becoming Death of Poor H.M."
• The Threepenny Review
Autumn 1990