Whatever your opinion of the profundity of John Patrick Shanley’s Pulitzer- and Tony-winning 2005 play Doubt: A Parable—and views on that...

Stripped-down productions of classics are pretty familiar to New York theatergoers. We’ve had Ivo van Hove’s provocatively barebones...

Paula Vogel’s How I Learned to Drive is, famously, the play that blew the lid off the subject of pedophilia in the theater. At its...

Frank Wedekind’s Lulu is the archetypal modern classic about a sexy woman. Precisely for that reason, it’s a very tough nut to crack...

In the winter of 1977, at age 17, I played Petruchio/Fred Graham in a Kiss Me, Kate production at my high school in suburban Baltimore....

I want the experience for the audience to be a sort of speeding train that gets completely and totally out of hand. --Robert O’Hara (New...