November 26, 2016

The Encounter, Simon McBurney’s two-hour intermissionless solo show on Broadway, which many critics have panegyrized as an enthralling immersive experience, left me indifferent and droopy-eyed.

I’m not immune to the spell this show was trying to cast. Back in 2001 McBur...

November 24, 2016

Although the PR images of leaping, lunging and levitating female soccer players seem to promise some badass athletic exertion, Sarah DeLappe’s The Wolves doesn’t actually traffic in feats of prowess, or even the time-honored theatrical allure of toned and straining bod...

November 3, 2016

It’s hard to think of a play more diabolically suited to the era of reality TV, vanished privacy and ubiquitous surveillance than Franz Xaver Kroetz’s Request Concert. It’s a play that asks whether the ultra-examined life of branded distractions, compulsive sharing, an...

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